What is DISCO Music Management?
The music platform optimizes workflows and speeds up business operations. DISCO enhances the organization, searching, and sharing of music and files, all within a single, unified space. Music professionals such as artists, labels, managers, publishers, broadcasters, and supervisors globally depend on DISCO to effectively manage their assets and collaborate seamlessly with their teams and connections. With the DISCO app available for iOS, you can conveniently access your music and playlists while on the move. You can upload and download files, manage and edit your music, listen to tracks, and create playlists, with all changes automatically synced to the DISCO web application. Collaborate in real-time with your peers, track their input, and build upon their contributions swiftly. You can receive music from anyone, irrespective of whether they utilize DISCO, which eliminates the inconvenience of continuous downloading and uploading, providing a smooth experience for sharing and importing music. Effortlessly manage various formats and metadata, swiftly taking control of your files while keeping a single version of each track with multiple formats and detailed metadata. Additionally, this seamless integration ensures that your creative workflow remains uninterrupted and highly productive, allowing you to focus more on your artistic vision. As a result, DISCO not only enhances efficiency but also fosters a collaborative environment that nurtures creativity and innovation.
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DISCO Music Management Customer Reviews
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Expensive for composers
Date: Jul 23 2024SummaryGood system, but expensive, and not forthcoming about whether the system will actually work for composers.
PositiveOffers a very good system for uploading music, labeling, and organizing music. Offers a good way of getting music to interested parties; not only music supervisors, but any interested party.
NegativeI don’t like the “Al la carte” system of pricing for composers. The starting monthly fee is only $10, but if you want to actually set up libraries for music supervisors to hear, then you need to spend another $9; and it goes up from there. Meanwhile, there is no guarantee whatsoever that any music supe will have access to your music. A DISCO information video, where supes are complaining about composers contraction them, doesn’t help. Also, the fees that DISCO charges supervisors is not publicly available, which I find strange.
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