What is musiccompanion.?
musiccompanion. is a cloud-based solution designed to streamline metadata management and show preparation for radio music programmers by integrating information from a multitude of sources, including Spotify, Apple Music, Soundcharts, FingerprintingDB, and regional databases into a cohesive workflow. The platform optimizes song processing through features such as automatic format conversions and AI-powered audio analysis from Cyanite, which evaluates characteristics including genre, mood, energy, tempo, and key, in addition to recognizing the lengths of intros and points for transitions. Furthermore, verified metadata can effortlessly synchronize with MusicMaster, enabling the distribution of a single processed track across various stations and formats all at once.
Central to its innovative approach is the concept of Molecules—short, human-validated facts about songs or artists generated by AI, only crafted into scripts, trivia, and voice segments after careful human verification, thereby reducing the risk of inaccuracies prior to broadcasting and ensuring a thorough audit trail of sources and approvals. In a noteworthy achievement, musiccompanion. was honored at the NAB 2026 with the esteemed Radio World Best of Show Award in conjunction with MusicMaster Inc., emphasizing its influential presence in the industry and its unwavering commitment to delivering quality and reliability. This recognition not only highlights the platform's significant role in enhancing the radio experience for programmers but also enriches the listening experience for audiences, making it a valuable tool in the evolving landscape of radio broadcasting.
Pricing
Price Starts At:
$22/month
Free Trial Offered?:
Yes
Integrations
Similar Software to musiccompanion.
Muzaic.ai removes the audio bottleneck from video production. For most marketing teams and agencies, adding music, sound and voiceover to a finished cut is still manual: around six hours per mix, a handful of videos a week, and copyright claims as an ongoing risk. Muzaic turns a folder of cuts into finished, scored ads in one pass, so the audio step runs at the same speed as the rest of the pipeline.
What changes for the business
Speed: a finished four-layer mix (music, SFX, ambience, voiceover) in about 30 seconds instead of six hours by hand.
Scale: 1,500+ videos a week per team, with one campaign brief driving every clip.
Approvals: client sign-off from a single shareable review link instead of email rounds.
Risk: 100% commercial licence on every paid plan, with legal cover included; on the Studio plan the licence and cover extend to your clients.
Reach: language versions of a finished mix in one click.
How teams use it
Describe the campaign once with style tags and direction sliders, drop in single cuts or an entire folder, choose which layers and how many versions you want, and review three concepts per clip side by side. Export in MP3 or WAV; downloads are unlimited.
Pricing built for predictable budgets
Plans are priced by what you are allowed to do with the audio; within each plan you choose a monthly volume in minutes of finished audio, so cost scales with output rather than with experimentation.
Personal: free forever, 10 minutes a month, non-commercial use. No credit card.
Creator: from $45/month for brands publishing their own work and paid ads.
Studio: from $249/month for agencies and production houses delivering scored campaigns to clients.
Enterprise: custom pricing for TV, radio, cinema and OOH, with dedicated capacity, DPA and SLA.
Annual billing saves 20%. A 30-minute live demo on your own campaign is available before you commit.
Learn more about Muzaic
DropTrack is a music promotion platform designed to help artists, labels, and managers get releases ready, pitch the right people, and understand what worked. The platform supports promotion to DJs, record labels, playlist curators, blogs, radio stations, fans, and other music industry contacts. Before launching a campaign, artists can use the Music Analyzer to understand whether a track is ready, what mood and genre it fits, which artists it resembles, and what steps could improve its chances. DropTrack also helps turn a finished song into a professional release package with album art, press releases, artist bios, track versions, and track comments. Users can share one link, test different mixes, and collect timestamped feedback before sending a campaign. The platform includes targeted submissions so artists can pitch contacts who match their sound instead of sending music blindly. Email campaign tools let users send polished campaigns to their own lists or use DropTrack’s genre-based contact lists, then see who opened, played, downloaded, commented, and returned. Spotify playlist placement options help users pursue real playlist exposure and authentic streams while avoiding fake or bot-driven lists. Labels and managers can manage multiple artists, upload unlimited tracks, create unlimited campaigns, build playlists, and track performance across releases. Influencers, DJs, playlist curators, bloggers, and radio contacts can opt in to receive music that matches their genres and review submissions in one place. By combining AI music analysis, release preparation, industry contact lists, submissions, email campaigns, playlist placement, feedback tools, and detailed analytics, DropTrack helps music teams turn a single play into a longer-term relationship.
Learn more about DropTrack
NAUTILUS DJ
NAUTILUS DJ is a sophisticated scheduling platform that not only oversees your music tracks but also manages jingles, IDs, and segments related to news or commercials. It facilitates the categorization of songs into organized groups called folders, allowing for the versatility of having each track appear in multiple folders. Since its launch in 1994, we have developed a powerful music scheduling tool that has formed strong alliances with a variety of radio stations. The platform incorporates a complex set of rules for both rotational and rule-based scheduling, relevant for music as well as jingles. Users can effectively sort songs and jingles into designated folders and lists, applying specific rules tailored to these categories. The customizable packet sizes make the software accessible to both inexperienced music directors and seasoned veterans alike. Moreover, it offers the capability to create multiple clocks and weekly grids, streamlining daily scheduling tasks. The seamless integration with radio automation components ensures a unified user experience throughout the broadcasting process. As a result, NAUTILUS DJ not only enhances organization but also maintains a vibrant and adaptable scheduling system for broadcasters. This comprehensive approach ultimately allows for improved efficiency and creativity in programming.
Learn more about NAUTILUS DJ
MusicOne
Radio stations use MusicOne to build music logs that are ready for air the moment they're scheduled. Music Directors set the rotation and the scheduler keeps to it: each song in a category is played as often as planned, with no favourites overplayed and no difficult tracks left behind, while songs travel through the dayparts as intended. Rather than leaving a gap in the log when every candidate would break a rule, the software pauses, lists the songs that are due with the rules each would break, and lets the Music Director choose; the rest of the day is then built around that decision. Over time it recognises the songs that are hardest to place at that station and moves them up the queue. Rules come in two kinds: unbreakable ones that guard the sound, such as keeping the same artist apart, and breakable ones that shape the flow of tempo, gender and sound codes. A flexibility score, tested on a simulated week of the station's own library, reveals which rules give the music room and which work against it, and separation is calculated individually for high-rotation artists. Before changing a category, programmers can check a 14-day rotation forecast and a play heat map for any song. The cloud version works in a web browser and in apps for phone and tablet. Several people can edit at once and see changes live, and a group can manage multiple stations from one login. On the studio PC, the CloudSync helper hands each finished log to the automation system, with two-way integrations for PlayoutONE, PlayIt Live and NextKast. Existing libraries come in from the current scheduler or a CSV file. Pricing is per station: $49 a month for internet-only stations and $99 a month for FM, AM and DAB broadcasters, billed annually, including setup help and phone support, with a 30-day trial that needs no credit card. Steve Warren, in radio since 1964, created Music 1 in 1994 as the first music scheduler for Windows; MusicOne is its successor.
Learn more about MusicOne
Screenshots and Video
Company Facts
Company Name:
deliver.media GMBH
Date Founded:
2017
Company Location:
Switzerland
Company Website:
www.deliver.media/
Product Details
Deployment
SaaS
Windows
Mac
Linux
Chromebook
On-Prem
Training Options
Online Training
Support
Standard Support
Product Details
Target Company Sizes
Individual
1-10
11-50
51-200
201-500
501-1000
1001-5000
5001-10000
10001+
Target Organization Types
Mid Size Business
Small Business
Enterprise
Freelance
Nonprofit
Government
Startup
Supported Languages
English